1. Epic Theater: is a theatrical movement starting in the early to mid 20th century from the theories and practice of a number of theater practitioners.
2. Non-Aristotelian: theater, which replaces Aristotle's foregrounding of pity with a readiness to help and his fear with a curiosity to know causality.
3. Melodrama: a dramatic piece of work that puts a character in a lot of danger in order to appeal emotions.
4. Gestus: an acting technique developed by the German theater practitioner Bertolt Brecht. Which carries the sense of both physical gestures and attitude.
5. Dramatic Construction: the art of dramatic composition and the representation of the main elements of drama on the stage.
-Sabrina Walton
2. Non-Aristotelian: theater, which replaces Aristotle's foregrounding of pity with a readiness to help and his fear with a curiosity to know causality.
3. Melodrama: a dramatic piece of work that puts a character in a lot of danger in order to appeal emotions.
4. Gestus: an acting technique developed by the German theater practitioner Bertolt Brecht. Which carries the sense of both physical gestures and attitude.
5. Dramatic Construction: the art of dramatic composition and the representation of the main elements of drama on the stage.
-Sabrina Walton